M.A. Bulgakov and the “Kiev text”: Based on the “Kiev-gorod” and “The White Guard”

S. Kang
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Abstract

The article is devoted to the problem of “Kiev text”. The author analyses two works of M.A. Bulgakov, created and completed after visiting to his hometown of Kyiv in 1923, the sketch “Kiev-gorod” and the novel “The White Guard”. To this end, at first, we examined the research history and research trends of “Kiev text” in Russian literature , and revealed the characteristics of “Kiev text”. We also saw that in “Kiev-gorod” and “The White Guard” the figure of Kyiv is depicted in ‘history’ as the image of falling Babylon, in the memory of the lyrical self and in Alexei’s dream as the image of the heavenly Jerusalem. As such, the myth of the confrontation between these two cities is the basis of Bulgakov's “Kiev text”. Meanwhile, Bulgakov's ‘city’, which contains an eternal ‘culture’ that is not destroyed by any ‘history’, is unique in that it has myth and eternity. In this way, this paper ultimately tried to find the literary meaning of the Bulgakov ‘s “Kiev text”, and to read the most famous “Kiev text” of the 20th century, “The White Guard” and its documentary version, “Kiev-gorod”, from a new perspective.
布尔加科夫与“基辅文本”:基于《基辅哥罗德》与《白卫军》
这篇文章专门讨论了“基辅文本”的问题。作者分析了布尔加科夫1923年回到家乡基辅后创作完成的两部作品:小品《基辅哥罗德》和小说《白卫军》。为此,我们首先考察了俄罗斯文学中“基辅文本”的研究历史和研究趋势,揭示了“基辅文本”的特征。我们还看到,在《基辅哥罗德》和《白卫军》中,基辅的形象在“历史”中被描绘成堕落的巴比伦的形象,在抒情自我的记忆中,在阿列克谢的梦中被描绘成天堂耶路撒冷的形象。因此,这两个城市对抗的神话是布尔加科夫“基辅文本”的基础。与此同时,布尔加科夫的“城市”包含了一种永恒的“文化”,没有被任何“历史”所摧毁,它的独特之处在于它具有神话和永恒。通过这种方式,本文最终试图找到布尔加科夫“基辅文本”的文学意义,并从一个新的角度来解读20世纪最著名的“基辅文本”——《白卫军》及其纪录片版《基辅哥罗德》。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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