{"title":"Apropos Aesthetic Autonomy","authors":"F. Sallis","doi":"10.7202/1014668AR","DOIUrl":null,"url":null,"abstract":"The present contribution to the Colloquy takes issue with problematic positions on aesthetic autonomy in music, which have appeared over the past couple of years in the pages of this journal. The tone is frank, the intention is constructive and the point is to engage in an exchange of ideas with colleagues who may have different points of view on these matters.","PeriodicalId":224798,"journal":{"name":"Canadian University Music Review","volume":"30 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2013-03-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Canadian University Music Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7202/1014668AR","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The present contribution to the Colloquy takes issue with problematic positions on aesthetic autonomy in music, which have appeared over the past couple of years in the pages of this journal. The tone is frank, the intention is constructive and the point is to engage in an exchange of ideas with colleagues who may have different points of view on these matters.