The Guitar as an "Open-Air" Instrument in the Early Romantic Era

P. Poulopoulos
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Abstract

In the first decades of the nineteenth century, playing music outdoors became a popular trend in Europe and North America. This largely reflected the Romantic ideal of coming closer to nature, whose allure played a significant role in contemporary education, literature, art, fashion, and music. By investigating a wide variety of written and pictorial sources, as well as surviving instruments in museum collections, this article discusses the development of the guitar as an “open-air” instrument as epitomised by the invention of guitar variants for use “on the go”. Moreover, the article sheds new light on the guitar’s connections to other portable wind and keyboard instruments, such as the csakan or the orphica, which were designed to provide musical accompaniment “al fresco”.
早期浪漫主义时代吉他作为一种“露天”乐器
在19世纪的头几十年,在欧洲和北美,户外演奏音乐成为一种流行趋势。这在很大程度上反映了接近自然的浪漫主义理想,其魅力在当代教育、文学、艺术、时尚和音乐中发挥了重要作用。通过调查各种各样的书面和图片来源,以及博物馆收藏的幸存乐器,本文讨论了吉他作为一种“露天”乐器的发展,体现了吉他变体的发明,用于“在旅途中”。此外,这篇文章还揭示了吉他与其他便携式管乐器和键盘乐器的联系,如csakan或orphica,它们被设计为“户外”音乐伴奏。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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