Feminist Film Studies 40 Years After ‘Visual Pleasure and Narrative Cinema’, a Triologue

L. Mulvey, Anna Backman Rogers, A. V. D. Oever
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引用次数: 8

Abstract

Forty years after the publication of her seminal essay ‘Visual Pleasure and Narrative Cinema’ in Screen, Laura Mulvey, together with Anna Backman Rogers, has edited Feminisms: Diversity, Difference, and Multiplicity in Contemporary Film Cultures, which is the latest instalment of The Key Debates series. NECSUS invited Laura Mulvey and Anna Backman Rogers to join Annie van den Oever, editor of NECSUS and series editor of The Key Debates, in a ‘triologue’, which in part reflects and re-emphasises the topics publicly discussed during the Feminisms symposia.
“视觉愉悦与叙事电影”四十年后的女性主义电影研究三部曲
在她的开创性论文《视觉愉悦与叙事电影》在银幕上发表40年后,劳拉·穆尔维与安娜·巴克曼·罗杰斯共同编辑了《女性主义:当代电影文化中的多样性、差异和多样性》,这是《关键辩论》系列的最新部分。NECSUS邀请了Laura Mulvey和Anna Backman Rogers与NECSUS的编辑和The Key Debates的系列编辑Annie van den Oever一起进行“三重奏”,部分反映并重新强调了女权主义专题讨论会期间公开讨论的话题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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