Radio Afghanistan Archive Project

H. Sakata, Laurel Sercombe, John Vallier
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Abstract

The repatriation of sound and video recordings is one of the ethnomusicology archivist’s most sacrosanct functions. From reviving forgotten traditions to inspiring new ones, recordings have the potential to make a broad array of meaningful impacts once returned to their places of origin. Beyond repatriating recordings, what should archives do to benefit the countries, cultures, and traditions that have made ethnomusicology’s very existence possible? Should ethnomusicologists and archivists work to build the capacity of archives in the developing world? Should they make it a priority to help these archives preserve and provide access to the collections they possess? With this chapter the authors explore these questions while describing a project that has enabled archivists at Radio Afghanistan to preserve and provide wider access to some 8,500 hours of traditional music recordings.
阿富汗电台档案项目
归还录音和录像是民族音乐学档案保管员最神圣的职责之一。从复兴被遗忘的传统到激发新的传统,唱片一旦回到它们的发源地,就有可能产生广泛而有意义的影响。除了归还录音,档案馆还应该做些什么来造福那些使民族音乐学得以存在的国家、文化和传统?民族音乐学家和档案学家是否应该努力建设发展中国家的档案能力?他们是否应该优先帮助这些档案馆保存和提供他们所拥有的藏品?在本章中,作者探讨了这些问题,同时描述了一个项目,该项目使阿富汗广播电台的档案保管员能够保存并提供大约8,500小时的传统音乐录音。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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