The Work of Charles Baudelaire in the Scientific Heritage of I.S. Prikhodko

M. V. Maksimov
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Abstract

The following essay examines the understanding and interpretation of Charles Baudelaire’s works in those of Irina Stepanovna Prikhodko. An analysis is given of the main stages in the investigations of the poet’s work. Accordingly, we look at how V.Ya. Bryusov and A.A. Blok received Baudelaire’s legacy; the understanding of the philosophical and aesthetic principles involved as well as the sources of Baudelaire’s poetic inspiration. The special attention of I.S. Prikhodko to Dante’s work and his Divine Comedy as the primary source of Baudelaire’s world view is also emphasized. An analysis is also given of the assessments of the poet’s work by writers and critics in the past in addition to contemporary foreign and Russian investigators. This essay also notes I.S. Prikhodko’s view of the least studied aspects of Baudelaire’s literary corpus and, in particular, the irrational principle in his work
《普里霍季科的科学遗产》中查尔斯·波德莱尔的工作
本文考察了伊琳娜·斯捷潘诺夫娜·普里霍季科对波德莱尔作品的理解和诠释。分析了诗人作品研究的主要阶段。因此,我们来看看v.a。布吕索夫和A.A.布洛克继承了波德莱尔的遗产;对所涉及的哲学和美学原则的理解以及波德莱尔诗歌灵感的来源。普里霍季科特别关注但丁的作品和他的《神曲》作为波德莱尔世界观的主要来源。本文还分析了过去作家和评论家以及当代外国和俄罗斯调查人员对这位诗人作品的评价。本文还注意到普里霍季科对波德莱尔文学语料库中研究最少的方面的看法,特别是他作品中的非理性原则
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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