Pirates in the Family Room: How Performances from Abroad, to U.S. Consumers, Might Evade Copyright Law

T. Bell
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引用次数: 2

Abstract

What will international copyright law look like in ten years? It will doubtless offer many different facets and will, as at present, elude any comprehensive portrait. This brief paper thus focuses on just one plausible and interesting scenario: Parties overseas will come to offer unauthorized performances of copyrighted works to consumers in the United States, a practice that will rouse the ire of copyright holders but that the Copyright Act will do little to stop. Depending on where the transmitted performances take place, legally speaking, they might not qualify as infringing under the Act. Even if they do qualify as infringing, moreover, unauthorized cross-border performances will in practice prove very hard to stop. Technological advances in media devices and growth in bandwidth will soon bring pirated performances to every family room - indeed, to every laptop, digital tablet, and smartphone. This prospect of unauthorized performances from abroad, to domestic consumers, stands to teach us about both the present and future of copyright law.
《家庭娱乐室里的海盗:来自国外的表演如何向美国消费者逃避版权法》
十年后的国际版权法会是什么样子?毫无疑问,它将提供许多不同的方面,并将像目前一样,难以全面描绘。因此,这篇简短的文章只关注一种看似合理且有趣的情况:海外各方将向美国消费者提供未经授权的版权作品表演,这种做法将激起版权所有者的愤怒,但《版权法》对此几乎无济于事。根据传输表演的地点,从法律上讲,它们可能不符合该法规定的侵权行为。此外,即使他们确实符合侵权的条件,未经授权的跨境表演在实践中也很难被阻止。媒体设备的技术进步和带宽的增长将很快把盗版表演带到每个家庭的房间——实际上,是每一台笔记本电脑、数字平板电脑和智能手机。这种未经授权的表演从国外传到国内消费者手中的前景,将教会我们版权法的现在和未来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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