A Comparative Analysis of the Poetics of Anger in John Osborne’s Look Back in Anger and Femi Osofisan’s The Chattering and the Song

B. Afolayan
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引用次数: 1

Abstract

Anger is a basic human emotion which has a force for constructive or destructive ends. Its expression in any circumstance can be a trigger for a desire to change a prevailing situation. In all cases, anger is a fundamental component of art. This study examines the use of anger in Osborne’s Look Back in Anger and Osofisan’s The Chattering and the Song. Osborne and Osofisan are two writers who are very anxious to change their societies through their art. In spite of differences in their origin (Osborne was a Briton while Osofisan is a Nigerian), they wrote at a time of certain social and political upheavals in their countries. They also share similar concerns and attitude towards art. My focus in this paper is on the early plays of Osborne and Osofisan where anger is strongest and where their artistic triumph is most poignant. Working within the formalist approach, the paper reveals that in Osborne and Osofisan, extreme anger is both material and style and is what marks their art out. The reification by the intellect provides a potent instrument for investigating society. Anger becomes the point of departure for their art, it is not mere hysterics but a cerebral one and it is the motivating force for their writings.
约翰·奥斯本《愤怒的回望》与费米·欧索维桑《喋喋不休与歌声》中愤怒的诗学比较分析
愤怒是一种基本的人类情感,它具有建设性或破坏性的力量。它在任何情况下的表达都可能引发改变现状的愿望。在任何情况下,愤怒都是艺术的基本组成部分。本研究考察了奥斯本的《愤怒的回望》和奥索佛桑的《喋喋不休的歌》中对愤怒的运用。奥斯本和奥索维桑是两位渴望通过艺术改变社会的作家。尽管他们的出身不同(奥斯本是英国人,而奥索瓦桑是尼日利亚人),但他们都是在各自国家发生某种社会和政治动荡的时期写作的。他们对艺术也有着相似的关注和态度。在本文中,我的重点是奥斯本和奥索维桑的早期戏剧,在这些戏剧中,愤怒是最强烈的,他们在艺术上的胜利是最令人心酸的。在形式主义的方法下,论文揭示了在奥斯本和奥索维桑身上,极端的愤怒既是材料也是风格,是他们艺术的标志。智力的物化为研究社会提供了有力的工具。愤怒成为他们艺术的出发点,它不仅仅是歇斯底里,而是一种理智的愤怒,它是他们写作的动力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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