{"title":"Authenticity and Orientalism: Cultural Appropriations in the Polish Alternative Music Scene in the 1970s and 1980s","authors":"Xawery Stańczyk","doi":"10.1007/978-3-030-17034-9_4","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":133833,"journal":{"name":"Eastern European Popular Music in a Transnational Context","volume":"75 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Eastern European Popular Music in a Transnational Context","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1007/978-3-030-17034-9_4","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}