Shakespeare as Biblical Performance Critic

Abstract

In this article I discuss a moment from Shakespeare’s Measure for Measure, which may be seen to present elements of Biblical Performance Criticism (BPC) techniques. I explore the revealing of Claudio in Act 5, Scene 1 as an example of Shakespeare’s appropriation of Biblical material for use in a stage play. I then examine the attitudes of some theologians and film-makers to the presentation of the raising of Lazarus and to comedic festivity. I suggest that Shakespeare’s use of Biblical material in his plays may afford insight for further exploration by and use in Biblical Performance Criticism.