Fixed or fluid?: document stability and new media

D. Levy
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引用次数: 85

Abstract

One of the crucial properties of documents through the ages has been their fixity. The ability to mark surfaces in relatively stable ways has made it possible for people distributed across space and time to see the same images and thereby to have access to the same meanings or communicative intent. Today, however, with the increasing use of digital technologies, it is often asserted that we are moving from the fixed world of paper documents to the fluid world of digital documents. In this paper I challenge this assertion, arguing instead that all documents, regardless of medium, are fixed and fluid. Thus, although paper documents do fix aspects of communication, they do (and must) also change; and although digital documents are easily changeable, they must also be capable of remaining fixed. I make use of this analysis in two ways: first, to examine the fixity and fluidity of hypertext; and second, to critique Bolter's argument in Writing Space concerning the movement from “fixed to fluid.”
固定的还是流动的?:文档稳定性和新媒体
古往今来,文件的一个重要特性就是它们的固定性。以相对稳定的方式标记表面的能力使得分布在不同空间和时间的人们能够看到相同的图像,从而获得相同的含义或交流意图。然而,今天,随着数字技术的日益普及,人们常常断言,我们正在从纸质文件的固定世界转向数字文件的流动世界。在本文中,我对这一论断提出了挑战,我认为所有的文件,无论采用何种媒介,都是固定的和流动的。因此,尽管纸质文档确实修复了沟通的各个方面,但它们也会(而且必须)发生变化;虽然数字文档很容易更改,但它们也必须能够保持固定。我从两个方面利用这种分析:第一,检验超文本的固定性和流动性;第二,批判波尔特在《书写空间》中关于从“固定到流动”运动的论述。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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