The Critique of Appropriation of Popular Song in of Oshima Nagisa’s Sing a Song of Sex(日本春歌考): Army Songs, Folksongs, Protest Songs and the Songs of the Involved
{"title":"The Critique of Appropriation of Popular Song in of Oshima Nagisa’s Sing a Song of Sex(日本春歌考): Army Songs, Folksongs, Protest Songs and the Songs of the Involved","authors":"W. Paik","doi":"10.36775/kjpm.2018.22.40","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":165088,"journal":{"name":"The Korean Association for the Study of Popular Music","volume":"112 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Korean Association for the Study of Popular Music","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.36775/kjpm.2018.22.40","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}