Lumbung Padi Kerinci Sebagai Objek Penciptaan Karya Seni Grafis Gaya Surealis

Jeki Aprisela H, Rajudin Rajudin
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引用次数: 0

Abstract

The Kerinci Rice Barn is the object of this printmaking. The Kerinci rice barn was chosen as the object of creation because its existence is already threatened with extinction. In fact, the philosophical value of the Kerinci rice barn is very noble and profound. This printmaking is made in a surreal style. The concept of distortion is used to make the work more surreal. The idea behind this work is to use the Kerinci rice barn as an idiom to express oneself through art. The stages of the method in this creation are: contemplation, prototype, and forming. This printmaking work combines the hardboard cut technique with the stencil technique. The media used are acrylic paints and oil-based printing inks on canvas. The creation of this work has resulted in a work entitled "Menabung". This work measures 100 cm x 100 cm.
这幅版画的对象是Kerinci Rice Barn。之所以选择Kerinci稻仓作为创作对象,是因为它的存在已经面临灭绝的威胁。事实上,克林芝米仓的哲学价值是非常崇高而深刻的。这幅版画是超现实主义风格的。扭曲的概念被用来使作品更加超现实。这个作品背后的想法是把克里奇的稻仓作为一种习语,通过艺术来表达自己。这种创作方法的阶段是:观照、原型、成形。这个版画作品结合了硬板切割技术和模板技术。使用的媒介是丙烯颜料和油画油墨在画布上。这个作品的创作产生了一个名为“Menabung”的作品。这件作品的尺寸为100厘米× 100厘米。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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