{"title":"The Genealogy of Arabic Modernism","authors":"R. Creswell","doi":"10.23943/PRINCETON/9780691182186.003.0003","DOIUrl":null,"url":null,"abstract":"This chapter attempts to re-create the “internal dialogue” about their pasts as militants that the Shi'r poets chose not to make public. This narrative is centered on the career of Yusuf al-Khal, who as editor in chief played a leading role in determining the principles of the Shi'r movement. But the real protagonists of the story are institutions: the political party, the university, the Cénacle, and the little magazine. These settings constitute the backstory to al-Khal's engagement with the institutions of late modernism itself—the global network of actors and discourses examined in Chapter 1. This focus on institutional history is intended, in part, as a corrective to the Shi'r poets' insistence that modernist literature is the work of heroic, deracinated individuals.","PeriodicalId":269714,"journal":{"name":"City of Beginnings","volume":"24 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"City of Beginnings","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.23943/PRINCETON/9780691182186.003.0003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This chapter attempts to re-create the “internal dialogue” about their pasts as militants that the Shi'r poets chose not to make public. This narrative is centered on the career of Yusuf al-Khal, who as editor in chief played a leading role in determining the principles of the Shi'r movement. But the real protagonists of the story are institutions: the political party, the university, the Cénacle, and the little magazine. These settings constitute the backstory to al-Khal's engagement with the institutions of late modernism itself—the global network of actors and discourses examined in Chapter 1. This focus on institutional history is intended, in part, as a corrective to the Shi'r poets' insistence that modernist literature is the work of heroic, deracinated individuals.