Collision in new music. Cross-border perspectives in the study, research and manifestation of jazz

Mihaela Loredana Gârlea
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Abstract

I start with the inclusion of jazz in the category of new music in the transition phenomenon from Romanticism to the polystylism of the 20th century and until contemporary times. The work Collision in new music. Cross-border perspectives in the study, research and manifestation of jazz aims to identify some of the general approaches regarding the scientific investigation of jazz in universities around the world, study methods, means of promoting jazz musicians, etc. The work will also bring several personal opinions from some Romanian musicians on the study and research of jazz abroad: pianist Ion Baciu Jr. (Sweden), trombonist Robert Cozma (Germany), trumpeter Emil Bîzgă (U.S.A.) and others.
新音乐的碰撞。爵士乐研究与表现的跨界视角
我首先将爵士乐纳入新音乐的范畴,从20世纪的浪漫主义到多种风格的过渡现象,直到当代。新音乐中的碰撞。跨界视角对爵士乐的研究、研究和表现,旨在确定世界各地大学对爵士乐的科学调查、研究方法、推广爵士音乐家的手段等方面的一些一般方法。该作品还将带来一些罗马尼亚音乐家对国外爵士学习和研究的个人意见:钢琴家Ion Baciu Jr.(瑞典),长号手Robert Cozma(德国),小号手Emil b zgei(美国)等。
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