Anti-Japanese war in the fine arts of China of the XX – beginning of the XXI century

Shue-Chia Wang
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Abstract

This study examines the specifics of the theme of the anti-Japanese war in Chinese art at various stages from the 1930s to the beginning of the XXI century. The key works of graphic artists and painters are selected as the material, which mark the key points of the evolution of the topic under consideration. Images in Chinese art associated with the events of the anti-Japanese War or the "War of Resistance" have been created by artists for more than seven decades, changing and transforming in accordance with political, ideological, socio-cultural and artistic-stylistic factors. This topic is extremely important for the people, since it was she who gave the art of the newly born New China in the XX century a historical dimension, determined the measure of responsibility of Chinese artists to society and partly the aesthetic paradigm of the evolution of the arts. Moreover, it has served and continues to serve as a source of inspiration for new generations of masters of historical painting, especially battle artists. As a result of the analysis and generalization, four stages are distinguished. The first one is connected with the work of wartime graphs, which recorded the most important moments of the confrontation between the two armies and peoples, determining the general realistic orientation in the development of the theme and its iconography. The middle of the century is the time of the establishment of images associated with the anti-Japanese war as the main line in Chinese painting, the appearance of multi-figure subject canvases, including in the battle genre. The last third of the XX century is defined as the period of transition from the glorification of events to the embodiment of the understanding of that war as a national tragedy, as well as the enrichment of romanticized realism with new artistic forms. At the beginning of the new century, artists tended to create large-scale canvases, saturating them with complex symbolic meanings and details. Such changes indicate the continuation of the evolution of the topic under study and its further transformations.
抗战时期的中国美术——二十一世纪初的中国美术
本研究考察了20世纪30年代至21世纪初中国艺术中抗战主题的具体特征。选择平面艺术家和画家的关键作品作为材料,标志着所考虑的主题演变的关键点。中国艺术中与抗日战争或“抗战”事件相关的图像是由艺术家们创作了七十多年的,随着政治、思想、社会文化和艺术风格的因素而变化和转化。这个话题对人们来说是极其重要的,因为正是她赋予了二十世纪新生的新中国艺术一个历史维度,决定了中国艺术家对社会责任的尺度,也在一定程度上决定了艺术演变的审美范式。此外,它已经并将继续成为新一代历史绘画大师,特别是战斗艺术家的灵感来源。通过分析和归纳,将其划分为四个阶段。第一个与战时图形的工作有关,它记录了两军和两国人民之间对抗的最重要时刻,确定了主题及其图像发展的一般现实主义取向。本世纪中叶是确立以抗战为主线的中国绘画形象的时期,出现了多人物题材的油画,包括战斗题材。二十世纪的最后三分之一被定义为从美化事件到体现战争作为民族悲剧的理解的过渡时期,以及以新的艺术形式丰富浪漫主义现实主义的时期。在新世纪之初,艺术家们倾向于创作大型画布,使其充满复杂的象征意义和细节。这些变化表明所研究的主题的演变和进一步的转变的继续。
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