Stylistic Study of Thematic Structure and Thematic Features in Ama A. Aidoo's "Comparisons or Who Said a Bird Cannot Father a Crab?"

A. A. Allagbé, Yémalo C. Amoussou, Dorothée Tchada
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Abstract

Research has established that a clause’s Thematic potential is replete with many alternatives in terms of the positioning or packaging of its constituents for different or particular purposes. In fact, creative users of language are aware of the striking variation/deviation they (can) operate invariably from the way they manipulate the structure of language. For instance, a circumstance of location (otherwise known as adverb of place) can be placed at/in the frontal position, medial position or final position of/in a clause, as in: a. In Cotonou, there are many buildings. b. There are in Cotonou many buildings. c. There are many buildings in Cotonou. While it is obvious that these three samples exhibit the same clause constituents, they do not actually mean the same thing from a Thematic perspective. It follows from this to note that a choice of one of the three alternatives (a., b. and c.), de facto, represents a style-marker or encodes an idiosyncratic style.
阿玛·a·艾杜《比较或谁说鸟不能生蟹》主位结构与主位特征的文体研究
研究表明,一个从句的主位潜力充满了许多选择,就其成分的定位或包装而言,用于不同或特定的目的。事实上,创造性的语言使用者意识到他们操纵语言结构的方式总是会产生惊人的变化/偏差。例如,地点情况(也称为地点副词)可以放在/的前部、中间或最后位置,如:a.在科托努,有许多建筑物。科托努有许多建筑物。科托努有很多建筑。虽然很明显,这三个例子展示了相同的子句成分,但从主位的角度来看,它们实际上并不意味着相同的东西。从这里可以看出,选择三种选择(a、b和c)中的一种,实际上代表了一种风格标记或编码了一种特殊的风格。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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