Chapter 5. Have You Seen Zandile? Gogo and her Granddaughter

B. Orton
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Abstract

Abstract Zandile is an autobiographical play about Mlophe’s childhood. It begins with her living with her Gogo (her grandmother) in Durban and then being forcefully removed to live with her mother, Lulama, in the Transkei. The play focuses on Zandile and her development as she becomes an adult woman as well as her awareness of the tensions between traditional and Western expectations, political conflicts and social pressures. Zandile, Gogo (Zandile’s grandmother), Lulama (Zandile’s mother), Bongi (Zandile’s imaginary friend) and Lindiwe (Zandile’s friend) are women whose lives are directly and indirectly affected by the rules of the apartheid regime. The play skews the emphasis away from the oppression of African men and provides a space for the women to tell their personal stories of struggle, identity, harassment, dreams, expectations and journeys. Throughout the play the men are mentioned, but are not seen. Zandile provides the reader with an insight into the lives of three generations of African women, and the impact of the political situation on their disparate reactions highlight the conflicting interpretations of the African woman’s role in theatre, at home, as an activist, and the woman’s duty – to her husband, family and the struggle.
第五章。你见过赞迪尔吗?果果和她的孙女
《赞迪尔》是一部讲述主人公童年的自传体剧。一开始,她和她的祖母Gogo住在德班,然后被强行转移到特兰斯凯与她的母亲Lulama住在一起。该剧主要讲述了赞德尔在成年后的成长,以及她对传统与西方期望、政治冲突和社会压力之间的紧张关系的认识。赞迪尔、Gogo(赞迪尔的祖母)、Lulama(赞迪尔的母亲)、Bongi(赞迪尔想象中的朋友)和Lindiwe(赞迪尔的朋友)是生活直接或间接受到种族隔离制度规则影响的女性。该剧将重点从对非洲男性的压迫上移开,为女性提供了一个讲述她们关于斗争、身份、骚扰、梦想、期望和旅程的个人故事的空间。在全剧中,男人们被提及,但没有出现。赞德尔让读者深入了解了三代非洲妇女的生活,政治局势对她们截然不同的反应产生了影响,突出了对非洲妇女在戏剧、家庭、作为活动家的角色以及对丈夫、家庭和斗争的责任的相互矛盾的解释。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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