Performing a Poetic Temporal Weave: Gender and Femininity in Zhai Yongming's Poetry

Yanhong Zhu
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Abstract

Abstract:This paper examines Zhai Yongming's articulation of gender and femininity by exploring themes and imagery of poems written in different stages of her literary career, ranging from the early 1980s to the present, and argues that Zhai's poetic representations of femininity are closely tied to her evolving temporal consciousness. Her poetic career originated from a strong sense of gender awareness, which she defines as "dark night consciousness," explored in her early poems through the poetic representation of what Kristeva calls "Women's time" that is cyclical and eternal. In later poems, Zhai strives to create new forms of poetic expression by interweaving the past and present. Such experimentation helps articulate a new poetic voice that moves beyond the male/female gender binary, a voice that is at once feminine and beyond femininity.
一种诗意的时间编织:翟永明诗歌中的性别与女性气质
摘要:本文通过对翟永明20世纪80年代初至今不同创作阶段诗歌主题和意象的考察,探讨了翟永明对性别和女性气质的表达,认为翟永明诗歌中女性气质的表达与她不断演变的时间意识密切相关。她的诗歌生涯源于一种强烈的性别意识,她将其定义为“黑夜意识”,在她早期的诗歌中通过对Kristeva所谓的“女性时间”的周期性和永恒的诗歌表现来探索。在后来的诗歌中,翟隽努力创造新的诗歌表达形式,将过去和现在交织在一起。这样的实验有助于表达一种新的诗意的声音,这种声音超越了男性/女性的二元性别,一种既女性化又超越女性化的声音。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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