KARYA SASTRA SEBAGAI DOKUMEN SOSIAL DALAM TRILOGI CERPEN PENEMBAK MISTERIUS KARYA SENO GUMIRA AJIDARMA: KAJIAN SOSIOLOGI SASTRA-OBJEKTIF

S. Suantoko
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Abstract

The Seno Gumira Ajidarma short story collected in the Penembak Misterius trilogy is very interesting to read. In addition, as a social document, the collection of short stories can be identified a social setting that actually became a place of social events occurred, the social setting of the Penembak Misterius that occurred during the New Order era in the 1980s. More precisely the social setting created at the party meeting officials in a hotel, the shootings through the night, and the violence of the state apparatus. The social context referred to by Seno Gumira Ajidarma is a mysterious shooting incident known as "petrus" during the New Order period. It is intended to denounce the practice of legal violence from the action of "petrus." As a social document or even a social critique of the New Order rule, the Penembak Misterius trilogy comes as a social relation of literary works to social reality. That is because, the silence of the conscience is very interesting shown by the assassin. When the issue of "Petrus" is about to be removed from the memory of society, this trilogy is present in the public. The presence of the "Petrus" trilogy depicted in not only be seen as a social document but also a lawsuit against social reality in the New Order era.
由SENO GUMIRA AJIDARMA撰写的神秘枪手故事三部曲的社会文献
Penembak Misterius三部曲中的Seno Gumira Ajidarma短篇故事读起来非常有趣。此外,作为一种社会文献,短篇小说集可以被认定为一个真正成为社会事件发生地的社会背景,即发生在20世纪80年代新秩序时代的Penembak Misterius的社会背景。更准确地说,是党在酒店开会时创造的社会环境,是彻夜的枪击,是国家机器的暴力。Seno Gumira Ajidarma提到的社会背景是新秩序时期被称为“petrus”的神秘枪击事件。它的目的是谴责法律暴力的做法,从“petrus”的行动。作为一种社会文献,甚至是对新秩序规则的社会批判,佩内姆巴克·米斯特里乌斯三部曲是文学作品与社会现实的一种社会关系。那是因为,沉默的良心是非常有趣的表现出来的刺客。当“彼得鲁斯”的问题即将从社会的记忆中消失时,这个三部曲出现在公众面前。《彼得鲁斯》三部曲所描绘的存在不仅被视为一种社会文献,同时也是对新秩序时代社会现实的一种控诉。
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