New Approaches to Dance; Contemporary Dance Choreography with Zeybek Dance Movement Semiotics

Cemal Acet
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引用次数: 2

Abstract

This study aims to produce contemporary dance choreography with movement semiotics of Zeybek dance in Aydın region. The choreography production process is structured under the guidance of different improvisation studies based on the semiotics of movement Zeybek dance in Aydın region. In this context, the traditional Zeybek dance is reinterpreted and opened to discussion by associating with the concepts of time, space and medium with the current movement approach. The eight workshops planned during the research were conducted with thirty-five students studying at the Turkish Folk Dance Department of Ege University State Conservatory of Turkish Music. Movement studies were carried out in the studios of Mimar Sinan Fine Arts University Istanbul State Conservatory Contemporary Dance Department with a group of four people. Finally, the work was structured as a solo work and was completed with the improvisation sound design of a female dancer and a musician. With the folkloric features of Zeybek, Anatolian legends and myths were taken as a reference and a solo contemporary dance work was produced in a ritual form within a range of twenty to twenty five minutes.
舞蹈的新途径;当代舞蹈编舞与泽贝克舞蹈动作符号学
本研究旨在利用Aydın地区泽贝克舞的动作符码学来制作当代舞蹈编舞。编舞制作过程以Aydın地区Zeybek舞蹈的符号学为基础,在不同的即兴研究指导下进行。在这种背景下,传统的Zeybek舞蹈通过将时间、空间和媒介的概念与当前的运动方法联系起来,被重新诠释和开放讨论。研究期间计划的8个讲习班由35名在埃格大学国立土耳其音乐学院土耳其民间舞蹈系学习的学生进行。运动研究是在Mimar Sinan美术大学伊斯坦布尔州立音乐学院当代舞蹈系的工作室进行的,一组四人。最后,该作品以独奏作品的形式进行,并由一位女舞者和一位音乐家的即兴声音设计完成。结合Zeybek的民俗特点,借鉴安纳托利亚的传说和神话,在20到25分钟的时间内,以仪式的形式制作了一部独舞作品。
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