Broadcasting the Rising: Yeats and Radio Commemoration

E. Bloom
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引用次数: 2

Abstract

In a series of radio broadcasts from 1931 to 1937, Yeats presented several of his poems about the Easter Rising but, curiously, not his most famous Rising poem, “Easter, 1916.” The poems he chose, as well as those he omitted, reveal his understanding of radio’s commemorative properties. Radio’s ephemerality and its intimacy were especially well-suited for Yeats’s minor poems, which were better able to present shifting perspectives on the Rising from the vantage of the present moment, unlike “Easter, 1916,” which was quickly settling into the canonical version of the event. Through multiple broadcasts responding to historical developments, Yeats presented new perspectives on the Rising and emphasized the event’s changing meaning. Yeats recognized the role of mass media in shaping historical memory and was early to see the radio as a key medium for reframing the Rising as it began to settle into history. Broadcasting his 1916 poems provided a means for Yeats to subtly alter previous statements on the Rising during the early years of the Irish Free State and to re-contextualize some of his own earlier work.
广播崛起:叶芝与广播纪念
在1931年到1937年的一系列广播中,叶芝展示了他关于复活节起义的几首诗,但奇怪的是,没有他最著名的起义诗《1916年的复活节》。他选择的诗歌,以及他省略的诗歌,揭示了他对广播的纪念性质的理解。广播的短暂性和亲密性特别适合叶芝的小诗,这些小诗能够更好地从当下的优势呈现对起义的转变视角,不像《1916年复活节》(Easter, 1916),它很快就成为了这一事件的规范版本。通过回应历史发展的多种广播,叶芝呈现了关于崛起的新视角,并强调了事件的变化意义。叶芝认识到大众传媒在塑造历史记忆中的作用,并且很早就把广播看作是重新塑造崛起运动的关键媒介,因为它开始融入历史。播出他1916年的诗歌为叶芝提供了一种手段,可以巧妙地改变他在爱尔兰自由邦成立初期对起义的看法,并将他自己早期的一些作品重新置于背景中。
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