Heaven Help Us! Journals! Calendars!: Goethe and Schiller's Xenien as Circulatory Intervention

K. Schutjer
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Abstract

Abstract:In their Xenien project, Goethe and Schiller weaponized the classical epigrammatic distich on behalf of their own vision of a public sphere. In response to an oversaturated market in journals and in the context of falling subscription numbers for their own journal Die Horen, they published hundreds of epigrams attacking rival journals and authors. Taking a cue from new formalist approaches, this article analyzes the specific structural and rhetorical affordances of the distich and the broader formal strategies the authors deploy in this cultural intervention. The generic resources of the epigram are deployed to disrupt a commercial circulation generated by second-rate journals and their networks of "Philistine" writers and critics, to deconstruct false paradigms and overblown conceptions, to parody the overaccelerated or excessively sluggish pace of cultural production and exchange, and to expose those forces bent on overturning established social or political hierarchies. At the same time, the epigrams aim to set in motion a more rhythmic circulation that aligns with natural processes and classical antecedents, is shaped by the reciprocal exchange characterizing Goethe and Schiller's own friendship, gives rise to more elastic and internally differentiated conceptions of the whole, and ultimately sustains rather than overturns societal structures.
上帝保佑我们!期刊!日历!歌德和席勒的《生命是循环的干预》
摘要:在歌德和席勒的《Xenien》项目中,他们将经典警句的论述武器化,以代表他们自己对公共领域的看法。为了应对期刊市场的过度饱和,以及他们自己的期刊《Die Horen》订阅数量的下降,他们发表了数百篇攻击竞争对手期刊和作者的警句。以新的形式主义方法为线索,本文分析了这篇文章的具体结构和修辞启示,以及作者在这种文化干预中采用的更广泛的形式策略。警句的一般资源被用来破坏由二流期刊及其“庸俗”作家和评论家网络产生的商业流通,解构错误的范式和夸大的概念,模仿文化生产和交流的过快或过缓的步伐,并揭露那些倾向于推翻既定社会或政治等级制度的力量。与此同时,这些警句旨在启动一种更有节奏的循环,这种循环与自然过程和古典先例相一致,由歌德和席勒自己的友谊所特有的相互交流所塑造,产生了更有弹性和内部分化的整体概念,最终维持而不是推翻社会结构。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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