THE IDEA OF THE CHURCH AS UNITY IN F. M. DOSTOYEVSKY’S NOVEL “THE BROTHERS KARAMAZOV”

V. Stepchenkova
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Abstract

The purpose of the article is to clarify the value architectonics of Dostoevsky’s novel «The Brothers Karamazov» in terms of the meaning of the idea of the Church in its motive structure. The idea of the Church is considered as a sense-forming element of the author’s concept of the novel. It is proved that the Church is understood by Dostoevsky not only as a social institution, manifested in the microcosm of the monastic structure, but also as a community of the entire created world, acquired by him in his Creator. The idea of the Church in the novel is intertwined with the idea of the unity of the visible and invisible worlds, the ideas of spiritual overcoming of spatial distance and physical time. At the narrative level, the idea of the Church in the novel is realized in the motives of bowing, love of life, motives of guilt and responsibility associated with the formula “everyone is to blame for everyone”, which includes the entire created world, including both people and the world of nature.
陀思妥耶夫斯基小说《卡拉马佐夫兄弟》中的教会合一思想
本文的目的是澄清陀思妥耶夫斯基的小说《卡拉马佐夫兄弟》的价值架构,在其动机结构的意义上的教会观念。教会的概念被认为是作者小说概念的一个构成意义的因素。事实证明,陀思妥耶夫斯基不仅把教会理解为一种社会机构,体现在修道院结构的缩影中,而且还把教会理解为整个受造世界的共同体,这是他从他的造物主那里获得的。在小说中,教会的概念与有形世界和无形世界的统一,以及对空间距离和物理时间的精神克服的想法交织在一起。在叙事层面上,小说中教会的理念体现在与“人人都要为人人负责”的公式相关联的鞠躬动机、热爱生命的动机、内疚动机和责任动机中,这包括了整个被创造的世界,既包括人也包括自然界。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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