All American

Holly Van Leuven
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Abstract

Chapter 10 describes the sunset of Bolger’s career. Particular focus is given to the creation of All American, Mel Brooks’s first musical, starring Bolger. The show hearkened back to the era that shaped Bolger’s core values. But, like so much of the art reflecting the culture of the 1960s, All American was actually out to lampoon these values. This story offers insight into the culture wars of the 1960s and Bolger’s changing attitude toward stardom. His increasing interest in political activities is explored. The Republican Party encouraged his participation in their activities. He performed for President Dwight Eisenhower and Richard Nixon at the 1957 inauguration. He would go on to work on three presidential campaigns for Nixon. Bolger’s final Broadway show, Agnes de Mille’s Come Summer, also features prominently in this chapter.
所有的美国
第十章描述了博尔格职业生涯的黄昏。特别关注的是梅尔·布鲁克斯的第一部音乐剧《全美国人》的创作,由博尔格主演。这场秀回归了塑造博尔格核心价值观的那个时代。但是,就像许多反映20世纪60年代文化的艺术作品一样,《全美国人》实际上是在讽刺这些价值观。这个故事揭示了20世纪60年代的文化战争以及博尔格对明星态度的变化。探讨了他对政治活动日益浓厚的兴趣。共和党鼓励他参加他们的活动。他在1957年的就职典礼上为德怀特·艾森豪威尔总统和理查德·尼克松总统表演。他后来为尼克松的三次总统竞选工作。博尔格的最后一部百老汇演出,艾格尼丝·德·米勒的《夏天来了》,也在这一章中占据突出地位。
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