LOS IDIOTISMOS DE LA MODERNIZACIÓN SIN MODERNIDAD: UN ACERCAMIENTO A LA DINÁMICA URBANA DE PRINCIPIOS DE SIGLO XX EN COLOMBIA A PARTIR DE SUENAN TIMBRES DE LUIS VIDALES

E. Hernández
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Abstract

In this paper, from the literature of Luis Vidales’s Suenan timbres , we explore the dynamics of Colombian rising cities that initiate an accelerated modernization process, deprived of an appropriate development of modern thinking, along with the new material advances, which makes it impossible to debate the relevance and the process followed by these types of transformations. This situation leads Colombia to experience the idiotism of modernization without modernity, impeding men to understand the needs and conflicts generated by progress. These villages from twentieth century beginnings quickly turn into city projects determined by the arrival of new objects, creating a mobile and noisy atmosphere, opposed to villages’ passivity. From poetics committed to social and political change, Vidales recreates reality as a poet of criticism in Colombia.
没有现代性的现代化白痴:路易斯·维达尔斯(LUIS VIDALES)的《音色之声》(soenan TIMBRES)对20世纪早期哥伦比亚城市动态的一种方法
在本文中,从Luis Vidales的Suenan音色文献中,我们探索了哥伦比亚新兴城市的动态,这些城市启动了加速的现代化进程,剥夺了现代思维的适当发展,以及新材料的进步,这使得不可能辩论这些类型的转型的相关性和过程。这种情况导致哥伦比亚经历了没有现代性的现代化的愚蠢,阻碍了人们理解进步所产生的需求和冲突。这些村庄从20世纪开始迅速转变为城市项目,由新物体的到来决定,创造了一个流动和嘈杂的氛围,与村庄的被动相反。从致力于社会和政治变革的诗学,比达莱斯以批评诗人的身份再现了哥伦比亚的现实。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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