ISLAMIC ETHNOCULTURE IN LANDSCAPE EXPOSITIONS OF BOTANICAL GARDENS

A. Kotova, E. Golosova
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Abstract

The article is devoted to the analysis of the world experience in the construction of ethno-cultural gardens, as well as the role and modern tasks of botanical gardens in this direction. In the last few decades, the appeal to the ethno-cultural visualization of horticultural traditions of different countries and peoples has become especially relevant and in demand. In different countries there are gardens in which the national spiritual and utilitarian culture is deeply reflected and they are world famous. These are usually Japanese, Chinese, French, Italian gardens. To a lesser extent, the gardens of Iran, India, and Pakistan are popular and well-known, reflecting the Islamic Garden culture, the origins of which are guessed in Persian Zoroastrianism. Expositions demonstrating the Islamic horticultural tradition are represented in very small numbers in botanical gardens, for example, in Germany or in the USA. In Russia, in the Nikitsky Botanical Garden – the National Scientific Center of the Russian Academy of Sciences, a small exhibition project has been developed under the working title "Selsebil Garden". Its relevance is confirmed by the presence of carriers of Islamic culture in the Crimea, where it is represented mainly in architecture.
植物园景观展览中的伊斯兰民族文化
本文分析了世界各国在民族文化园林建设方面的经验,以及民族文化园林在这方面的作用和现代任务。在过去的几十年里,对不同国家和人民的园艺传统的民族文化可视化的呼吁已经变得特别相关和需求。在不同的国家,园林深刻地反映了民族精神和功利文化,并闻名世界。这些通常是日本、中国、法国、意大利的花园。在较小的程度上,伊朗、印度和巴基斯坦的花园是受欢迎和知名的,反映了伊斯兰花园文化,其起源被认为是波斯琐罗亚斯德教。展示伊斯兰园艺传统的展览在植物园中很少有代表,例如在德国或美国。在俄罗斯,在Nikitsky植物园-俄罗斯科学院的国家科学中心,一个名为“Selsebil花园”的小型展览项目已经开发出来。其相关性在克里米亚的伊斯兰文化载体的存在中得到证实,在那里它主要表现在建筑上。
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