Colonial Heroes

Berny Sèbe
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引用次数: 1

Abstract

Taken together, the reputations which emerged in Francophone popular culture around a series of distinguished explorers, missionaries, empire builders or colonial administrators can be described as a site of collective memory, cementing in part the French ‘imagined community’ and sometimes spearheading cultural bridges within the French-speaking world in the postcolonial period. Turned into heroic figures endowed with national significance at the time of the ‘New Imperialism’ of the late nineteenth-century, through an elaborate process which involved the agency of a variety of hero-makers (and sometimes the heroes themselves) and the use of the newly-developed mass-media, the names of Lavigerie, Garnier, Brazza, Marchand, Lyautey, Foucauld and the like became sites of memory, both physically (through street or institution naming, statues, etc.) and culturally (through books, representations in the press and later in films, as well their place in the pantheon of school textbooks). Through colonial heroes, an unusual map of (post-)colonial France and the Francophone world emerges, which is much more complex than has been previously acknowledged, especially in the light of the interest of some post-independence African rulers in the colonial conquerors who gave birth to the modern states that they run.
殖民时期的英雄
综上所述,在法语流行文化中出现的一系列杰出的探险家、传教士、帝国建设者或殖民管理者的声誉可以被描述为集体记忆的场所,在一定程度上巩固了法国的“想象社区”,有时在后殖民时期引领法语世界的文化桥梁。在19世纪后期的“新帝国主义”时代,通过一个复杂的过程,包括各种英雄制造者(有时是英雄本身)的代理和新发展的大众媒体的使用,拉维杰、卡尼尔、布拉扎、马尔尚、利奥泰、福科等人的名字成为了记忆的地点,无论是在物理上(通过街道或机构命名、雕像、等)和文化(通过书籍、媒体和后来的电影,以及它们在学校教科书的万神殿中的地位)。通过殖民英雄,一幅(后)殖民时期的法国和法语世界的不同寻常的地图出现了,这比之前所承认的要复杂得多,特别是考虑到一些独立后的非洲统治者对殖民征服者的兴趣,这些征服者创造了他们所管理的现代国家。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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