Analysis of Arts Educational Function of Immersive Digital Exhibition: Case of ‘Bunker de Lumières’ in Jeju

Dong-uk Im, Chang-Hoon Leen
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Abstract

There is an increasing number of cases in which the idle space is revived and transformed into a regenerated space. Idle space means a location which lost its function due to changes in the era and society, or which needs to change its usage. This space is often used as a common space, especially in the field of culture and arts. Oldenberg argued that this "third place" would help raise community ties. The regenerated space as arts mediating center has a high value because of unique place identity. The "Carrières de Lumières" in France, which was launched in 2012, was expanded to the "Bunker de Lumières" in Jeju, Korea, along with "Atelier des Lumières" in Paris. This series of regenerated idle spaces transforming abandoned industrial facilities into immersive digital exhibitions attracts hundreds of thousands of tourists each year, thanks to immersive technology based on audio-visual continuity by AMIEX system. In arts education, especially fine arts education, it is not easy to induce voluntary inward engagement as flow. Therefore, it is effective to amplify users’ curiosity and interest by using digital display and stimulating sensory outward engagement as immersion
沉浸式数字展览的艺术教育功能分析——以济州“Bunker de lumi”为例
闲置空间被改造为再生空间的案例越来越多。闲置空间是指由于时代和社会的变化而失去功能或需要改变使用方式的场所。这个空间经常被用作公共空间,特别是在文化艺术领域。奥尔登伯格认为,这个“第三个地方”将有助于增进社区关系。作为艺术中介中心的再生空间因其独特的场所身份而具有很高的价值。2012年在法国设立的“carriires de lumi”与巴黎的“Atelier des lumi”一起扩大到了韩国济州的“Bunker de lumi”。通过AMIEX系统基于视听连续性的沉浸式技术,这一系列将废弃工业设施转化为沉浸式数字展览的再生闲置空间每年吸引数十万游客。在艺术教育,特别是美术教育中,不容易诱导自愿的内向参与。因此,通过使用数字显示和刺激感官外参与(浸入式)来放大用户的好奇心和兴趣是有效的
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