{"title":"Hubert Crackanthorpe and The Albemarle: A Study of Contexts","authors":"D. Malcolm","doi":"10.3366/edinburgh/9781474461085.003.0004","DOIUrl":null,"url":null,"abstract":"The short life of The Albemarle (January-September 1892), edited by Hubert Crackanthorpe and W.H. Wilkins, makes it possible to see clearly how short fiction engages in a dialogue with the articles, visual materials and advertising that surround it. Although short stories play an important role in the journal (and Crackanthorpe was a prominent short-story writer of the early 1890s), they are immersed within a mass of different material. The socially critical import of several is attenuated by the periodical’s implied readership (well-off, traditionally educated). Indeed, the technical conservatism of most short stories in the journal suggests a readership without innovative literary interests. Although The Albemarle was edited by a short-story writer, short fiction is ultimately peripheral to it.","PeriodicalId":427766,"journal":{"name":"The Modern Short Story and Magazine Culture, 1880-1950","volume":"11 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Modern Short Story and Magazine Culture, 1880-1950","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474461085.003.0004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
The short life of The Albemarle (January-September 1892), edited by Hubert Crackanthorpe and W.H. Wilkins, makes it possible to see clearly how short fiction engages in a dialogue with the articles, visual materials and advertising that surround it. Although short stories play an important role in the journal (and Crackanthorpe was a prominent short-story writer of the early 1890s), they are immersed within a mass of different material. The socially critical import of several is attenuated by the periodical’s implied readership (well-off, traditionally educated). Indeed, the technical conservatism of most short stories in the journal suggests a readership without innovative literary interests. Although The Albemarle was edited by a short-story writer, short fiction is ultimately peripheral to it.