Cultural Diplomacy on International Film Festivals, during the unprecedented year of 2020.

Manuela Fetter Nicoletti, João Guilherme Barone Reis e Silva
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引用次数: 2

Abstract

Against the countless cancellations of cultural events around the globe, the dynamics of the film festival circuit and its representations took on new courses and different perspectives. About these symbolic power relations, the article dives into a brief data record, on the performance and possible adaptations upon the organization of film festivals, during the year 2020, and throughout the global pandemic, that exponentiated the digitization of some structuring processes on international cinematographic circulation. Ultimately, it adds notions of cultural diplomacy to international film festivals. In order to transpose theoretical concepts to contemporary practice and verify, in this way, the influences and consequences of virtualization to the subjectivities and significance of diplomacy and otherness upon interconnected identities in the current global community.
在前所未有的2020年,国际电影节的文化外交。
在全球无数文化活动被取消的背景下,电影节的动态及其表现形式呈现出新的路线和不同的视角。关于这些象征性的权力关系,本文深入研究了一个简短的数据记录,关于在2020年和整个全球大流行期间举办的电影节的表现和可能的改编,这些都代表了国际电影流通的一些结构化过程的数字化。最终,它为国际电影节增添了文化外交的概念。为了将理论概念转化为当代实践,并以这种方式验证虚拟化对当前全球社区中相互关联的身份的主体性和外交和他者的意义的影响和后果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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