Conclusion

N. Kenny
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引用次数: 0

Abstract

The systemic role of families in the production of much literature and learning in the early modern period needs greater recognition. Countless works were shaped by families’ practice of hunting in packs to maximize their place in society. This production of works was just one of many planks within the broader transgenerational strategies of families, commoner as well as noble. Works were woven into the wider webs of families’ inheritance and legacy practices. They helped families imagine their own futures and steer a course into it, even if that course subsequently swerved, forked, or faded. These families did not, however, represent society as a whole. They belonged overwhelmingly to social elites, whether noble or commoner. However, family literature was often rooted in anxiety, disappointment, and conflict as well as in hope and a sense of vocation, mission, or entitlement to power.
结论
在近代早期,家庭在许多文学和学问的生产中所起的系统作用需要得到更多的认识。无数的作品都是由家庭集体狩猎的实践塑造的,以最大化他们在社会中的地位。这些作品的制作只是众多跨代家庭策略中的一个,无论是平民还是贵族。作品被编织到更广泛的家庭继承和遗产实践的网络中。他们帮助家庭想象自己的未来,并引导他们走向未来,即使这条道路后来突然转向、分叉或消失。然而,这些家庭并不能代表整个社会。他们绝大多数属于社会精英,无论是贵族还是平民。然而,家庭文学往往植根于焦虑、失望和冲突,以及希望和一种天职感、使命感或权力的权利。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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