Transforming the Intangible into the Real

K. Yamamura
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Abstract

Seven short animated films are examined by the auteur-animator as he self-reflects on their creations. Making animation is not only an extension of the pictorial and comic-like expression, but also the act of mystically creating movement to be perceived in the real. The artist shares his personal experiences during the animation making process including the unconscious imaginative realm that creeps into his creative thoughts. Technology may play an important part of the animation production but the author maintains that there is a deeper spiritual world where he is somehow drawn into when he is making animation. Spiritually, he feels the transcendence of the dualism of mind and matter during the creative process, and is able to unite the subconscious with reality. Citing motifs including natural, inorganic, or imaginative entities, the author demonstrates the influence of the psyche in his artistic expressions. To the artist, the spiritual assimilation aspects of his work are profound, complex, and illuminating.
将无形转化为现实
这位导演兼动画师审视了七部动画短片,并对它们的创作进行了自我反思。动画制作不仅是画面化、漫画化表达的延伸,而且是一种神秘地创造出可在现实中感知的运动的行为。艺术家分享了他在动画制作过程中的个人经历,包括潜入他创作思想的无意识想象领域。技术可能在动画制作中起着重要的作用,但作者认为,当他制作动画时,他不知不觉地陷入了一个更深层次的精神世界。在精神上,他在创作过程中感受到精神与物质二元论的超越,能够将潜意识与现实统一起来。引用主题包括自然,无机,或想象的实体,作者展示了心理在他的艺术表达的影响。对于艺术家来说,他作品中的精神同化方面是深刻的、复杂的和有启发性的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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