The Hills Have Eyes: Post-Mortem Mountain Dwelling and the (Super)Natural Landscape in the Íslendingasögur

Miriam Mayburd
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引用次数: 4

Abstract

The present article investigates the unique features of Icelandic geographical terrain and its impact upon cognitive reality of medieval Iceland. The focus is on saga depictions of Viking-Age individuals on Iceland’s western coast passing into their local mountains when they die. This, it is contended, does not constitute death in the conventional sense of ceasing to be but instead a transformation into ambiguous ‘other’ entities which continue to inhabit the landscape in an altered state. Textual analysis is brought into dialogue with archaeological data concerning placements of mounds and burial sites in the same region and time frame. The aim is to illuminate the role of Icelandic landscape as a stage shaping medieval Icelandic beliefs and attitudes vis-avis their dead. Instead of a dichotomous opposition between this-world and other-world, it is proposed that the medieval Icelandic landscape was perceived as both at the same time.
山有眼:死后的山居和Íslendingasögur的(超级)自然景观
本文研究了冰岛地理地形的独特特征及其对中世纪冰岛认知现实的影响。展览的重点是关于冰岛西海岸维京时代的人死后进入当地山区的传奇描述。有人认为,这并不构成传统意义上的死亡,即停止存在,而是转变为模糊的“其他”实体,这些实体以一种改变的状态继续居住在景观中。文本分析与关于同一地区和时间框架内土墩和墓地安置的考古数据进行了对话。其目的是阐明冰岛景观的作用,作为一个阶段,塑造了中世纪冰岛人对死者的信仰和态度。不是这个世界和另一个世界的对立,而是提出中世纪冰岛的景观同时被认为是两个世界。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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