Mapping Time and Space in Ancient Fiction

R. Branham
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Abstract

This chapter aims at a Bakhtinian account that does justice to the insight of Ian Watt that a new form emerged in eighteenth-century fiction, reflected in the term “novel”. However, this development was hardly unprecedented: novelistic fiction had already appeared at least twice, in Renaissance Spain and the Roman empire. Various eighteenth-century English novels are canonical examples of the genre, but their genealogy can be traced back to antiquity, illuminating what distinguishes novelistic discourse and what is or is not modern about it. Ancient examples of novelistic fiction (e.g., Apuleius and Petronius) can be generically distinguished from Greek romance. Novelistic fiction has been invented more than once, and its earliest examples provide interesting precedents for what have been considered among the modern novel’s distinguishing features—such as contemporaneity and certain kinds of realism.
古代小说中的时空映射
本章的目的是通过巴赫蒂安式的叙述,公正地诠释伊恩·瓦特的见解,即18世纪小说中出现了一种新的形式,反映在“小说”一词中。然而,这种发展并不是史无前例的:在文艺复兴时期的西班牙和罗马帝国,长篇小说已经出现了至少两次。各种18世纪的英国小说都是这一流派的典型例子,但它们的谱系可以追溯到古代,阐明了小说话语的区别,以及它的哪些是现代的,哪些不是。古代的长篇小说(如阿普列乌斯和彼得罗尼乌斯)一般可以与希腊浪漫小说区分开来。长篇小说不止一次被创造出来,它最早的例子为现代小说的特征提供了有趣的先例,比如当代性和某些类型的现实主义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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