Bhuwo Nāch: A Multifaceted Ritual Performance of Sudurpaschim

P. Joshi
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Abstract

This paper aims to explore the multifaceted theatrical performativity of ritualistic Bhuwo Nāch on the occasion of Bhuwo Parva. To reflect on the performative diversity of this dance, the researcher has observed the performance during the festival, especially in Bajhang. Bhuwo Nāch is a traditional folk dance of the people dwelling in hilly regions, especially in Bajhang, Achcham, Bajura, and Doti districts of Sudurpaschim Province of Nepal. The research is based on participant observation, interviews, and focus group discussion. The findings of the study show that Bhuwo Nāch is a ritual performative folk dance which imparts diverse facets of social interaction, religio-cultural performance, regional identity, oral tradition, fits of valorous display and tactics of survival against the natural odds and human intolerance. The dance is performed to carry ritual significance through theatrical performance, shape social identity, display valorous community standing, reveal social reality, maintain harmony among the community people, give continuity to cultural orality, and enhance survival strategy.
Bhuwo Nāch: Sudurpaschim的多面仪式表演
本文旨在探讨仪式布沃Nāch在布沃帕尔瓦之际的多方面戏剧表演。为了反映这种舞蹈表演的多样性,研究者观察了节日期间的表演,特别是在Bajhang。布沃Nāch是居住在丘陵地区的人们的传统民间舞蹈,特别是在尼泊尔苏杜尔帕西姆省的Bajhang, Achcham, Bajura和Doti地区。本研究以参与观察、访谈和焦点小组讨论为基础。研究结果表明,布沃Nāch是一种仪式表演民间舞蹈,它赋予社会交往、宗教文化表演、区域认同、口头传统、英勇表演和对抗自然不利因素和人类不宽容的生存策略的各个方面。表演舞蹈是为了通过戏剧表演来承载仪式意义,塑造社会身份,展示英勇的社区地位,揭示社会现实,维护社区人民之间的和谐,延续文化口头,增强生存策略。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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