Assum Livre: A Live Environment for Cyberperformance

R. Rocha, J. Bidarra, Ângela Saldanha
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引用次数: 0

Abstract

The performance “Assum Livre” integrates a sequence of artifacts first presented for a PhD thesis, “Backyard of Sounds: A Path to Sound Immersion.” It was recently recreated in a cyberspace event, hence its transcription as a cyberperformance. It consists of an artistic proposal that seeks to reflect on freedom and imprisonment, evoking a metaphor that recreates the experience of the lockdown in 2020–2021. The performance is based on streaming a video recorded with the author and singer performing part of Teixeira's and Gonzaga's song, “Assum Preto,” simultaneously with the live performance of the other stanzas of the song. These alternate with the presentation of the lyrics and the materialization of the performer. As a backdrop, the authors have a projection of natural scenery representing freedom, depicting the natural habitat threatened by human intervention, enhanced by the natural soundscapes, and integrating the hybridization of image, sound, and live performance. Discussion includes the main concepts, the description of the artifact, the developments made, and audience reflections.
Assum Livre:网络表演的现场环境
“Assum Livre”的表演整合了一系列的人工制品,这些人工制品最初是为博士论文“声音的后院:通往声音沉浸的道路”而提出的。它最近在一个网络空间事件中被重新创作,因此它被转录为网络表演。它由一个旨在反思自由和监禁的艺术提案组成,唤起了一个隐喻,再现了2020-2021年的封锁经历。这次表演是通过流媒体播放的一段视频进行的,该视频记录了作者兼歌手在现场表演Teixeira和Gonzaga的歌曲“Assum Preto”的一部分,同时现场表演了这首歌的其他小节。这些与歌词的呈现和表演者的物质化交替。作为背景,作者用一种代表自由的自然景观投影,描绘了受到人类干预威胁的自然栖息地,并以自然的声景为强化,融合了图像、声音和现场表演的杂交。讨论包括主要概念、工件的描述、所做的开发以及听众的反映。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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