Reforming the Social Circle

K. Blair
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Abstract

Whistle-Binkie is a collection of poetry and song, continually reissued in different formats and with new content throughout the nineteenth century, which has often been considered to exemplify the problems with popular Scottish Victorian literature. This chapter therefore concentrates on reassessing this key text and demonstrating that it is not purely a sentimental, nostalgic, and conservative selection of verse. The chapter shows how the first edition of Whistle-Binkie was part of the culture of Reform politics, and how its radical bent was toned down in later decades. It uses unpublished manuscript material to discuss the importance of Whistle-Binkie in encouraging working-class poets into print and fostering networks between them. A long concluding session focuses on the Whistle-Binkie spin-off, Songs from the Nursery, and assesses how and why ‘nursery verse’ became so important to Scottish working-class poetics in this period.
改革社交圈
《Whistle-Binkie》是一本诗歌和歌曲的合集,在整个19世纪以不同的格式和新的内容不断再版,它经常被认为是苏格兰维多利亚时代流行文学问题的例证。因此,本章集中于重新评估这一关键文本,并证明它不是纯粹的感伤,怀旧和保守的诗句选择。这一章展示了第一版《惠斯特-宾基》是如何成为改革政治文化的一部分,以及它的激进倾向在后来的几十年里是如何被缓和下来的。它使用未发表的手稿材料来讨论Whistle-Binkie在鼓励工人阶级诗人出版和培养他们之间的网络方面的重要性。一个长时间的总结会议集中在惠斯特-宾基的衍生作品《托儿所之歌》上,并评估了“托儿所诗歌”是如何以及为什么在这一时期对苏格兰工人阶级诗歌如此重要。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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