Kobieta przylepiona. Zofia Beksińska w książce Magdaleny Grzebałkowskiej „Beksińscy. Portret podwójny”

Renata Łukaszewska
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Abstract

An adhered woman. Zofia Beksińska in Magdalena Grzebałkowska’s book Beksińscy. Portret podwójny The Beksińskis. A Double PortraitIn the article I discuss the narrative method used by Magdalena Grzebałkowska in her reportage book about the Beksiński family. Using as my example Zofia, the most difficult character to describe — as she is the most “elusive” among all protagonists — I analyse the means used by the reporter to portray her. The starting point of the analysis is the findings concerning the links between documentary literature and historical writings as well as biographies.
忠诚的女人。Zofia Beksińska在Magdalena Grzebałkowska的书Beksińscy中。Portret podwójny Beksińskis。在本文中,我讨论了马格达莱纳Grzebałkowska在她关于Beksiński家庭的报告文学作品中使用的叙事方法。我以佐菲娅为例,她是最难描述的角色——因为她是所有主角中最“难以捉摸”的——我分析了记者用来描绘她的手段。分析的出发点是关于纪实文学与历史著作以及传记之间联系的发现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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