The prospects for theatrical performance arts in tradition and experimentation “Analytical study”

Mohammed Abdel Rahman El Shafei
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引用次数: 0

Abstract

: The term (performing arts) has been associated with the high ability to present distinct and unconventional artistic performances, which flourished in the sixties of the last century, and relied on the connotations of visual presentation more than the connotations of the dramatic text. This type of performance also relied on exploiting the theatrical space and utilizing it fully, which adds a kind of dazzling, especially with the performance of the performer's physical skills amid the various elements of the scenography. The artistic beginnings of these performances may be the result of some drawings that some plastic artists dealt with, which include a visualization of concerts and performances, and then turned into live performances thanks to the pioneering artists. What distinguishes performance shows is the fusion of all performance arts within one theatrical mold that reflects the accuracy and function of each one. Therefore, this type of show requires unconventional performers and directors, who can experiment and develop.
戏剧表演艺术在传统与实验中的前景——“分析研究”
(表演艺术)一词一直与呈现独特和非常规的艺术表演的高能力联系在一起,这种艺术表演在上世纪六十年代蓬勃发展,更多地依赖于视觉呈现的内涵而不是戏剧文本的内涵。这种类型的表演还依赖于对舞台空间的开发和充分利用,在各种舞台元素中,尤其是表演者身体技巧的表现,增添了一种炫目的感觉。这些表演的艺术开端可能是一些塑料艺术家处理的一些绘画的结果,其中包括音乐会和表演的可视化,然后由于先锋艺术家而变成了现场表演。表演节目的独特之处在于,所有表演艺术都融合在一个戏剧模式中,反映出每一种艺术的准确性和功能。因此,这种类型的节目需要非传统的表演者和导演,他们可以实验和发展。
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