ACTIVITIES CARRIED OUT BY THE CAST OF LENINGRAD OPERA AND BALLET THEATER NAMED AFTER S.M. KIROV IN THE FIRST HALF OF 1941

A. V. Mankov
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Abstract

The relevance of the research topic is due to the fact that 80 years ago – on June 22, 1941, the Great Patriotic War of the Soviet people began. In the second half of 1941, millions of Soviet people unexpectedly became defenders of the Fatherland: commanders and political workers of the Red Army, ordinary Red Army soldiers and Red Navy men, partisans and members of the underground, some of them were captured and turned into prisoners of nazi concentration camps. The author focuses on the most interesting episodes from the creative and social life of the world-famous Leningrad State AcademicOpera and Ballet Theater named after S.M. Kirov (GATOB) and its artists. How did they meet the beginning of the war? What happened in the theater in the pre-war months of 1941, as well as in the first hours and days of the war? What was the theater’s repertoire in 1941? In his work, the author primarily uses the materials of a number of issues of the theater newspaper «For the Soviet Art», published in January – September 1941 in Leningrad and stored in our time in the funds of St. Petersburg State Theater Library, for the first time introducing them into scientific circulation. He tells about the details of the theater’s creative activity, which today are of undoubted interest to all amateurs of the Russian culture. It is concluded that the outbreak of the war made significant adjustments to the repertoire of the on-stage performance group, radically changed the entire life of Leningrad State Academic Opera and Ballet Theater. It is particularly emphasized that the last pre-war opera premiere of the great theater on the stage in Leningrad was the performance to the music of the German composer R. Wagner «Lohengrin». In those years, Wagner was considered in Germany one of the symbols of the «Aryan culture» of the Third Reich. Today, the author believes, it can be supposed that staging of the German «Lohengrin» in Soviet Leningrad in June 1941 had a political nature, and the decision to work on the performance was made at the highest state level.
1941年上半年,以s.m.基洛夫命名的列宁格勒歌剧和芭蕾舞剧院的演员们进行的活动
研究课题的相关性是由于80年前- 1941年6月22日,苏联人民的伟大卫国战争开始了。1941年下半年,数以百万计的苏联人出乎意料地成为祖国的捍卫者:红军的指挥官和政治工作人员、普通红军士兵和红海军士兵、游击队员和地下组织成员,其中一些人被俘虏,变成了纳粹集中营的囚犯。作者着重讲述了世界著名的列宁格勒国立学院歌剧和芭蕾舞剧院(以S.M.基洛夫(GATOB)命名)及其艺术家的创作和社会生活中最有趣的片段。他们是如何在战争开始时相遇的?在1941年战前的几个月里,以及在战争的最初几个小时和几天里,战区发生了什么?1941年剧院的保留剧目是什么?在他的作品中,作者主要使用了1941年1月至9月在列宁格勒出版的戏剧报纸“苏联艺术”的一些问题的材料,并在我们这个时代存储在圣彼得堡国家剧院图书馆的资金中,首次将它们引入科学流通。他讲述了剧院创作活动的细节,这些活动今天无疑引起了所有俄罗斯文化爱好者的兴趣。结论是,战争的爆发对舞台表演团体的剧目进行了重大调整,从根本上改变了列宁格勒国立学术歌剧和芭蕾舞剧院的整个生活。特别强调的是,列宁格勒大剧院的最后一次战前歌剧首演是德国作曲家r·瓦格纳的《Lohengrin》。在那些年,瓦格纳在德国被认为是第三帝国“雅利安文化”的象征之一。今天,作者认为,可以假定1941年6月在苏联列宁格勒上演的德国《洛亨格林》具有政治性质,并且在最高国家一级作出了演出的决定。
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