Two Pole-Vaulters of Their Times: The Poetry of John Wilmot, Earl of Rochester, and Irving Layton

Elena Sánchez Hernández
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Abstract

Abstract This article compares the poetic output of the Anglo-Canadian writer Irving Layton with that of the famous Restoration rake and court poet John Wilmot, Earl of Rochester. Layton himself provided the connection in his wholehearted vindication of the seventeenth century as a time of “intellectual ferment”, “criticism and impatience for change”. Layton’s debt to Nietzsche and Rochester’s to his contemporary philosopher Hobbes, respectively, provide the thread through which a striking similarity of values and thematic concerns, of the quality of the amatory experience described; of their criticism of mankind, its institutions and even of themselves, on the one hand, and, on the other, of shared poetic formulas, sources of inspiration (classical, Elizabethan, satiric) and idiom string together in creative work that displays quite striking affinities, the product of similar vital stances.
两位时代的撑杆跳运动员:约翰·威尔莫特、罗切斯特伯爵和欧文·雷顿的诗歌
摘要本文比较了英裔加拿大作家欧文·莱顿与英国复辟时期著名的浪子、宫廷诗人罗切斯特伯爵约翰·威尔莫特的诗歌创作。莱顿自己也提供了这种联系,他全心全意地为17世纪辩护,称这是一个“知识分子骚动”、“批评和急于变革”的时代。莱顿对尼采和罗切斯特对同时代哲学家霍布斯的贡献,分别提供了一条线索,通过这条线索,他们的价值观和主题关注点,以及所描述的情爱体验的质量,有着惊人的相似性;一方面,他们对人类,对制度,甚至对自己的批评,另一方面,他们共享的诗歌公式,灵感来源(古典的,伊丽莎白时代的,讽刺的)和习语在创造性的作品中串联在一起,显示出相当惊人的亲和力,这些都是相似的重要立场的产物。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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