Signal & Noise

Neil Gaiman, D. McKean
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引用次数: 4

Abstract

'Signal to Noise does not entertain. It scratches, it provokes, it frightens. It tells you things you don't want to know but then twists you inside out by saying, look harder and see the poignance, the beauty of light dancing on life's edge, truth that is as simple and direct as death' Jonathan Carroll, from his introduction. Originally commissioned and serialised in The Face, the comic strip Signal to Noise was then expanded and revised for its launch on the VG Graphics list in 1992 with an introduction by Jonathan Caroll. It tells the story of a film director, somewhere in London, dying of cancer. His life's crowning achievement, his greatest film, would have told the story of a European village as the last hour of AD 999 approached - the midnight which the villagers were convinced would bring with it Armageddon. Now that story will never be told. But he still pointlessly works it out in his head, making a film that no one will ever see. No one but the reader.
信号与噪声
“信号转噪声”不娱乐。它搔痒,它刺激,它恐惧。它告诉你一些你不想知道的事情,然后通过说,更努力地看,看到辛痛,在生命边缘跳舞的光之美,真理就像死亡一样简单直接”乔纳森·卡罗尔在他的介绍中说。最初在The Face上委托和连载,然后在乔纳森卡罗尔的介绍下,扩大和修订了1992年在VG图形列表上发布的连环漫画《信号到噪音》。它讲述了一个电影导演的故事,在伦敦的某个地方,死于癌症。他一生的最高成就,他最伟大的电影,讲述了一个欧洲村庄的故事,随着公元999年最后一个小时的临近——村民们相信午夜将带来世界末日。这个故事永远不会被提起。但他仍然毫无意义地在脑海中构思出来,制作了一部没有人会看到的电影。只有读者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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