{"title":"Staging the Absent Woman: The Theatrical Evocation of Elizabeth Tudor in Hey wood’s If You Know Not Me, You Know Nobody, Part I","authors":"J. Howard","doi":"10.4324/9781315233703-12","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":220705,"journal":{"name":"Women Players in England, 1500–1660","volume":"92 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Women Players in England, 1500–1660","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4324/9781315233703-12","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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