Deleuzian Feminism

İkbal Bozkurt Avcı
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Abstract

Minority refers to a distinct deviation from something of which standards and norms are clear. In this direction, “becoming-woman,” which is revealed by Deleuze as the first becoming type is quite impressive for feminist theory. Women can enter into becoming-woman by disturbing the dichotomic order with their line of flight instead of acting according to the identities imposed on them. This study is based upon the concept of becoming-woman in the context of Deleuzian feminism tries to approach the issue of “becoming-woman” in the new Turkey cinema based on the film Zephyr (2011) by Belma Baş. The film is evaluated according to the three basic elements of minor cinema.
Deleuzian女权主义
Minority指明显偏离标准和规范的事物。在这个方向上,德勒兹所揭示的“成为女人”,作为第一个成为类型,对女性主义理论来说是相当令人印象深刻的。女性可以通过扰乱她们的飞行路线的二分顺序而不是按照强加给她们的身份行事来进入成为女性的过程。本研究以德勒兹女性主义背景下的“成为女性”概念为基础,试图以贝尔玛·巴扎伊的电影《西风》(Zephyr, 2011)为背景,探讨土耳其新电影中的“成为女性”问题。根据小电影的三个基本要素对影片进行评价。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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