Luigi Dallapiccola - Models to promote creation in Florence, Italy

Emanuela Izabela Vieriu
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Abstract

This study focuses on the ways in which the results of a composer's compositional and research activity are preserved, remaining current and practically building the bridge between the past and the future, connecting with past and future generations, with reference to the composer Luigi Dallapiccola, to his entire and rich activity, as well as to the Centro Studi Dallapiccola institution, in the city of Florence, Italy, where he worked for more than 40 years. The choice of the theme is due to the fact that in the same city I benefited from an Erasmus mobility, where I had the opportunity to make contact with the sounds and scores of the Istrian composer, during conferences, lessons, concerts and recitals. The introduction, as well as the second sub-chapter of the text, deals with the theme of the own Model and the Other`s Model, emphasizing as essential directions to follow: education, values, principles and traditions. I then led the content to the Model of the Other, namely the exposition of the ways in which the promotion of the composer's creation and musicological activity took place, by involving the 4 distinct and essential elements of the cultural-artistic environment: material culture, cultural infrastructure, non-material culture, technology and research; in short, the involvement of the institutions, the support of the Ministry of Culture, responsibility towards the legacy offered by the predecessors, respect towards creation. Then, in order to have a clearer picture, I detailed the attributes of each of the components of the artistic environment. I reported on the activity of Centro Studi Dallapiccola in the 4th chapter (3rd subchapter), where I highlighted the key moments, important in the expansion of events and the formation of connections with new institutions, up to the creation of a particularly well-organized infrastructure. Finally, the content is intended to be a suggestion towards taking some elements that fit Iași cultural space and applying them, with reference to the music of those Iași and/or Romanian creators.
Luigi Dallapiccola -模特在意大利佛罗伦萨推广创意
本研究的重点是如何保存作曲家的作曲和研究活动的成果,保持当前和实际建立过去和未来之间的桥梁,连接过去和未来的几代人,参考作曲家路易吉·达拉皮科拉,他的整个和丰富的活动,以及达拉皮科拉中心研究机构,在佛罗伦萨,意大利,在那里他工作了40多年。选择这个主题是因为在同一个城市,我受益于伊拉斯谟的流动性,在那里我有机会接触伊斯特拉作曲家的声音和乐谱,在会议,课程,音乐会和独奏会上。引言以及正文的第二分章讨论了“自己的模式”和“他者的模式”的主题,强调了教育、价值观、原则和传统是必须遵循的方向。然后,我将内容引导到他者模型,即通过涉及文化艺术环境中四个不同的基本要素,即物质文化,文化基础设施,非物质文化,技术和研究,来阐述促进作曲家创作和音乐活动的方式;简而言之,就是机构的参与,文化部的支持,对前人留下的遗产负责,对创作的尊重。然后,为了有一个更清晰的画面,我详细描述了艺术环境的每个组成部分的属性。我在第四章(第三分章)中报道了达拉皮科拉研究中心的活动,在那里我强调了关键时刻,这些时刻在扩大活动和与新机构建立联系方面很重要,直到创建一个组织特别良好的基础设施。最后,内容的目的是建议采取一些适合Iași文化空间的元素,并将其应用于Iași和/或罗马尼亚创作者的音乐中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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