Un ritratto della società veneziana

Nicolò Zennaro
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引用次数: 1

Abstract

Historians writing about the History of Venice have rarely dealt with or mentioned the year 1868: to trace this moment it is essential to make direct reference to the Gazzetta di Venezia of that same year. Another useful source is the diary of Elena Pesaro Maurogonato (1853-1876), daughter of Isacco Pesaro Maurogonato (1817-1892), a central figure in the Venetian Jewish community and an important political figure. Among the most important events are the celebrations in St. Mark’s Square on the occasion of the Carnival, the representations at the Teatro La Fenice and events related to the translation of Daniele Manin’s ashes. This essay also traces a portrait of the social situation in Venice, ranging from the identification of differences between social classes to the creation of the ‘myth of Venice’, a collective cultural identity resulting from the association of several popular traditions.
威尼斯社会的画像
撰写威尼斯历史的历史学家很少涉及或提及1868年:为了追溯这一时刻,有必要直接参考同年的《威尼斯公报》(Gazzetta di Venezia)。另一个有用的资料来源是Elena Pesaro Maurogonato(1853-1876)的日记,她是Isacco Pesaro Maurogonato(1817-1892)的女儿,Isacco Pesaro Maurogonato是威尼斯犹太社区的核心人物,也是一位重要的政治人物。其中最重要的活动是在狂欢节期间在圣马可广场举行的庆祝活动,在凤凰剧院举行的代表活动以及与翻译丹尼尔·马宁骨灰有关的活动。本文还描绘了威尼斯的社会状况,从社会阶层差异的识别到“威尼斯神话”的创造,这是一种由几种流行传统结合而成的集体文化认同。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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