Webster’s New Collegiate and the Poetry of Clark Coolidge and Bernadette Mayer

C. Dworkin
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Abstract

Chapter 4 focuses on two books: The Cave, by Clark Coolidge and Bernadette Mayer (published in 2009), and Coolidge’s The Maintains (1974). Attending to the collaborations’ claims of negative ontology and the shifting nexus of particular terms reveals the intertext at the heart of the book: Carl Andre’s contemporaneous sculpture Equivalents I-VIII. Indeed, the chapter follows the implications of the collaboration’s proposals to make an argument for considering the book itself as sculpture. Following from that sculptural reading, and the book’s equation of caverns and dictionaries, the chapter turns to The Maintains, alongside its dictionary source text, in order to detail the way in which it excavates the dictionary with an understanding of the reference book’s physical, typographic and sculptural space.
韦伯斯特的新学院和克拉克·柯立芝和伯纳黛特·梅尔的诗歌
第四章重点介绍两本书:克拉克·柯立芝和伯纳黛特·梅尔合著的《洞穴》(2009年出版)和柯立芝的《维护》(1974年出版)。关注合作者对消极本体论的主张,以及特定术语的变化关系,揭示了本书核心的互文:卡尔·安德烈(Carl Andre)的同时期雕塑《等同》(Equivalents I-VIII)。事实上,这一章遵循了合作提议的含义,提出了将这本书本身视为雕塑的论点。继雕塑般的阅读,以及书中洞穴和字典的方程式之后,本章转向《维护》,以及它的字典源文本,以详细说明它是如何通过理解参考书的物理、印刷和雕塑空间来挖掘词典的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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