{"title":"Social Realism, Melodrama, and the Mute Text: Rakhshan Bani-Etemad’s The May Lady and Under the Skin of the City","authors":"L. Mulvey","doi":"10.5040/9781501332470.0009","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":140195,"journal":{"name":"On Women’s Films","volume":"27 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"On Women’s Films","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5040/9781501332470.0009","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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