A Geometric As A Carrier Bag Of Fiction

João Viola, Júlio Faria Correa
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Abstract

In this essay, we fable an geometry as a carrier bag of fiction. It is not a search for explanations and possibilities of institutionalized geometries for mathematics teacher education or for the mathematics school classroom. It is about tasting things, life stories, concepts, ideas, geometric inventions, when it is placed inside a carrier bag, in an inventive movement, in an attempt to operate helplessness. Then, we go through some investigation works that invent geometries, use works of art and make use of headlines as modes of possibilities and transfigurations of our gaze and our body. We also flirt with the geography of maps, with which we destabilize geometric colonialities. In a Circuit of Affections, data were collected through helplessness in the face of geometric educations and placed in our fiction bag. Among visualities, decrystallizations and map productions, we invented (always in a draft) a scholarship geometry that presents itself as a possibility to inhabit professional practices of math educators, from Kindergarten to Graduate courses. Thus, a geometry as a carrier bag of fiction happens in a possibility of other schools, having the helplessness as constitutive of a political project.
几何图形作为小说的手提袋
在本文中,我们将几何学比喻为小说的载体。它不是为数学教师教育或数学学校课堂寻找制度化几何的解释和可能性。它是关于品尝事物,生活故事,概念,想法,几何发明,当它被放在一个手提袋里,在一个创造性的运动中,试图操作无助。然后,我们通过一些调查作品,发明几何,使用艺术作品,并利用标题作为我们的目光和身体的可能性和变形的模式。我们还玩弄地图的地理,用它来破坏几何殖民的稳定。在《情感的循环》中,数据是在面对几何教育的无奈中收集起来的,然后放进我们的小说包里。在可视化、解晶体化和地图制作中,我们发明了(总是在草稿中)一种奖学金几何,它将自己呈现为一种可能性,可以用于从幼儿园到研究生课程的数学教育者的专业实践。因此,作为小说载体的几何学在其他学派的可能性中发生,将无助作为政治计划的组成部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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